I recently did the cover for the Seattle Weekly. The Art Director had a great idea and wanted to see a few options. There wasn't a huge amount of time to deliver so I had to move fast. I took a few hours to scribble and compose a few options and then I sat down on nice sheet of paper and did tighter roughs of my ideas. I always feel that my roughs should be much tighter but given the time constraints I knew I couldn't ruminate too much and just had to commit to a few image options.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiswWNVgXp19sy3hHdJdBEbtgdin1THLWox3hEqD89GCcpScIkOVEmG7v1DzGoavHTtBCZ7IR5kDLSrcO_bNkWV4RbvUCK7qGxJdl59At-e1Lu8uSYFQIRdc3auDBah-umL5cFCDhsDQNQ/s400/seattleweekly__DRAWING_BLOG.jpg)
They liked the top left image. so I went straight to a final drawing. I realize now that I could have benefited from doing a tight sketch of the composition before I went to a final drawing. the more time I have to draw a face the more chance I have of getting the likeness. My first pass at the final Sketch made courtney look way to serene. So I went to work trying to give her that Rock'n Roll feel.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQdHKHAn66WXiAiXmafKVRGWv1QHH_DrUNKI7eiUAFSWxnzWwDARuzXwxGcXBLk7iTsZoLVQvXMoY4mO0XFZGnMVc14JeU0yApev5wvEMNlJZv6ad0TG5Cs6I87LGrnXfKRU2m5KlQ0KY/s400/COVER_8_30.jpg)
The benefit of using a nice 150 pound bristol paper is that you can play with a drawing for a long time. I must of worked on this for an entire day and could still try different eyes and placements.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikQMymhwZXUi_qbyTt8Mhnd_FhO33YeKy3MTBptE7MVfLnM6T27i3Q35QMxx6UjpabvoLZDKkkC6m3eABYbHFEccxPd1B5uNuqc2ZW6Zagr5xfra0gdGKsGZMu4t9bcZY_AR8EkWosc-E/s400/090110_Bumbershoot.jpg)
Here is the Final Art.
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